Pedals that stack with the Walrus Audio Melee Wall of Noise Black
← everything about the Walrus Audio Melee Wall of Noise Black
All 153 ranked by how well they pair, from rig co-occurrence and tone-complementarity evidence
Tru-Fi Super Fuzz PBF Compact Version
Tru Fi
15% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Run Walrus Audio Melee Wall of Noise Black after Tru-Fi Super Fuzz PBF Compact Version in the signal chain, clear of Tru-Fi Super Fuzz PBF Compact Version's own gain stage
Comes earlier in the signal chain
Zvex Razzle Dazzle Fuzz Factory
Zvex
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Zvex Razzle Dazzle Fuzz Factory's fuzzy voice out front: Walrus Audio Melee Wall of Noise Black goes after Zvex Razzle Dazzle Fuzz Factory in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
ZVEX Fuzz Factory Hand-Painted
Zvex
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep ZVEX Fuzz Factory Hand-Painted's silicon voice out front: Walrus Audio Melee Wall of Noise Black goes after ZVEX Fuzz Factory Hand-Painted in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
Zvex Maps Reverse Fuzz Factory
Zvex
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Run Walrus Audio Melee Wall of Noise Black after Zvex Maps Reverse Fuzz Factory in the signal chain, clear of Zvex Maps Reverse Fuzz Factory's own gain stage
Comes earlier in the signal chain
Wampler Velvet Fuzz
Wampler
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Walrus Audio Melee Wall of Noise Black after Wampler Velvet Fuzz in the signal chain, clear of Wampler Velvet Fuzz's own gain stage
Comes earlier in the signal chain
Dunlop Screamadelica Fuzz Face Distortion
Dunlop
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Dunlop Screamadelica Fuzz Face Distortion's germanium voice out front: Walrus Audio Melee Wall of Noise Black goes after Dunlop Screamadelica Fuzz Face Distortion in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
EarthQuaker Devices Hoof Reaper V2
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Run Walrus Audio Melee Wall of Noise Black after EarthQuaker Devices Hoof Reaper V2 in the signal chain, clear of EarthQuaker Devices Hoof Reaper V2's own gain stage
Comes earlier in the signal chain
Sonicake Rude Mouse Distortion
Sonicake
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Sonicake Rude Mouse Distortion's fuzzy voice out front: Walrus Audio Melee Wall of Noise Black goes after Sonicake Rude Mouse Distortion in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
Spermophilus Effects GasMask
Spermophilus Effects
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after Spermophilus Effects GasMask in the signal chain — it's not there to compete with Spermophilus Effects GasMask's own aggressive character
Comes earlier in the signal chain
Tone City Matcha Cream
Tone City
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Run Walrus Audio Melee Wall of Noise Black after Tone City Matcha Cream in the signal chain, clear of Tone City Matcha Cream's own gain stage
Comes earlier in the signal chain
Tru-Fi Floyd Fuzz
Tru Fi
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Walrus Audio Melee Wall of Noise Black after Tru-Fi Floyd Fuzz in the signal chain, clear of Tru-Fi Floyd Fuzz's own gain stage
Comes earlier in the signal chain
Electro-Harmonix Satisfaction
Electro-Harmonix
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Put Walrus Audio Melee Wall of Noise Black after Electro-Harmonix Satisfaction in the signal chain, clear of Electro-Harmonix Satisfaction's own gain stage
Comes earlier in the signal chain
Wren and Cuff Tri-Pie '70
Wren And Cuff
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Put Walrus Audio Melee Wall of Noise Black after Wren and Cuff Tri-Pie '70 in the signal chain, clear of Wren and Cuff Tri-Pie '70's own gain stage
Comes earlier in the signal chain
Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz
Dunlop
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz's fuzzy voice out front: Walrus Audio Melee Wall of Noise Black goes after Dunlop JHW4 Jimi Hendrix Band of Gypsys Fuzz in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
Dallas Rangemaster Treble Booster
Dallas
14% matchThe Melee's own massive, distorted reverb wall already brings gain — the Rangemaster's germanium kick just sharpens the front end before it hits.
Comes earlier in the signal chain
Tech 21 Bass Boost Fuzz Metallic Analog Bass
Tech 21
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Run Walrus Audio Melee Wall of Noise Black after Tech 21 Bass Boost Fuzz Metallic Analog Bass in the signal chain, clear of Tech 21 Bass Boost Fuzz Metallic Analog Bass's own gain stage
Comes earlier in the signal chain
Walrus Audio Fundamental Series Fuzz
Walrus Audio
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Walrus Audio Melee Wall of Noise Black after Walrus Audio Fundamental Series Fuzz in the signal chain, clear of Walrus Audio Fundamental Series Fuzz's own gain stage
Comes earlier in the signal chain
EarthQuaker Devices Chelsea Low End
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after EarthQuaker Devices Chelsea Low End in the signal chain — it's not there to compete with EarthQuaker Devices Chelsea Low End's own fuzzy character
Comes earlier in the signal chain
EarthQuaker Devices Chelsea V1 Low End Fuzz Driver
EarthQuaker Devices
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after EarthQuaker Devices Chelsea V1 Low End Fuzz Driver in the signal chain — it's not there to compete with EarthQuaker Devices Chelsea V1 Low End Fuzz Driver's own fuzzy character
Comes earlier in the signal chain
Red Witch Opia
Red Witch
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after Red Witch Opia in the signal chain — it's not there to compete with Red Witch Opia's own fuzzy character
Comes earlier in the signal chain
Morley Power Fuzz Wah
Morley
14% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Put Walrus Audio Melee Wall of Noise Black after Morley Power Fuzz Wah in the signal chain, where it won't crowd Morley Power Fuzz Wah
Comes earlier in the signal chain
Wren and Cuff Fade Font '94
Wren And Cuff
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after Wren and Cuff Fade Font '94 in the signal chain — it's not there to compete with Wren and Cuff Fade Font '94's own smooth character
Comes earlier in the signal chain
Sonicake Fazy Sandwich Fuzz
Sonicake
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Walrus Audio Melee Wall of Noise Black's ambient voice goes after Sonicake Fazy Sandwich Fuzz in the signal chain — it's not there to compete with Sonicake Fazy Sandwich Fuzz's own fuzzy character
Comes earlier in the signal chain
Walrus Audio Jupiter
Walrus Audio
13% matchsits in the right chain slotPlaced for where it does its job cleanly in the chain, not for a tonal interaction with the anchor. (fuzzy → octave)
Keep Walrus Audio Jupiter's fuzzy voice out front: Walrus Audio Melee Wall of Noise Black goes after Walrus Audio Jupiter in the signal chain so its ambient voice doesn't muddy it
Comes earlier in the signal chain
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